She is an associate artist at Cafe Oto, is a member of Cranc, Common Objects and Apartment House, been artist in residence at Q-02, and played live with Tony Conrad in the Turbine Room at the Tate Modern. Other collaborations have featured the likes of John Butcher, Steve Beresford, Laura Cannell, Daniela Cascella, Anat Ben David, Rhodri Davies, Matt Davis, Richard Dawson, Julia Eckhardt, Kazuko Hohki, Roberta Jean, Lina Lapelyte, Dominic Lash, Tisha Mukarji, Andrea Neumann, Rie Nakajima, Anie O’Dwyer, Okkuyng Lee, Tim Parkinson, J.G.Thirlwell, Silvia Tarozzi, Stefan Thut, Deborah Walker, Paul Whitty, Manfred Werder, Birgit Ulher, Taku Unami and she’s released records on Absinth Records, Another Timbre, Potlatch and Confrontrecords.
Edward Wright is a UK based composer who was born in Buckinghamshire in 1980 which makes him very old to some people and not all that old to others. He completed a practice based PhD in music in 2010, focusing on combining electroacoustic and instrumental forces with Professor Andrew Lewis at Bangor University.
His work is mainly focused towards the electroacoustic end of the musical spectrum although he writes for and plays ‘real’ instruments as well. Highlights include; performances overseas including mainland Europe and the U.S.A., ‘mention’ in the Prix Bourges for his piece Con-Chords, a number of classical commissions, and airplay on BBC Radio 1 and S4C television. Ed also curates the Oscilloscope concert series and performs as part of the electronic trio Accretion Entropy.
Ed lives in North Wales with Emma, their daughter Alena, and finds it very hard to write about himself in the third person.
More about Ed is here: http://www.virtual440.com/welcome
Dr. Jenn Kirby is an Irish composer, performer, software developer and academic based in Swansea, UK. Her work ranges from instrumental composition, to electroacoustic, to laptop orchestra and the performance of live electronics. Jenn’s work explores elements of theatre, humour and subversion. Jenn works as the Programme Director for Music Performance and Production at the University of Wales Trinity Saint David, where she teaches composition and music technology.
Fantastic news update, Pefkin are transmuted to become Barrett’s Dotted Beauty for their Aberystwyth appearance. JW myself and Ruth were all hoping that it might happen and so it has…very excited to announce…These were and are legends of the psycke underground, do yourselves a favour and come along for these, a real treat
Barrett’s Dottled Beauty is what you get when you cross a Kitchen Cynic with a Pefkin. Nursing an obsession equally with Syd Barrett and lepidoptera, Alan Davidson and Gayle Brogan formed this duo in 2016, playing semi-improvised experimental folk, informed by their shared interest in nature, folk song and noise. “siren-esque psalms quietly stare, seduce and enchant, beguilement doesn’t begin to touch it, ghostly drone mosaics, which arrive trimmed in classicist vintage whose lineage ripples to a dawning of time whilst sonically balanced on a finite point located somewhere between the primordial psych folk utterance’s of Alphane Moon, Ghost, Our glassie Azoth and the bewitching trips of George Harrison’s ‘Blue Jay Way’. Their second album released in a limited edition of 80 in individually collaged sleeves is long sold out.
Pefkin is the alter ego of Gayle Brogan, one half of Glaswegian vintage synth duo Electroscope and ex-proprietor of the Boa Melody Bar mail order. She has been recording as Pefkin since 1999 and released albums on Morc, Wild Silence, Reverb Worship, Pseudoarcana, etc.
More recently she has been recording with the Kitchen Cynics’ Alan Davidson under the name Barrett’s Dottled Beauty, creating psych-folk hymnals inspired by a mutual love of folk songs and nature, and has been recording with United Bible Studies. On her own Gayle creates a dreamy rural psychedelia from looped vocals, guitar, analogue synth and violin and has received comparisons to Coil, Popul Vuh and Nico. She has just released a new album “Final Instar” inspired by moths on Siren Wire and an 8″ lathe cut on Sonido Polifonico.
Gayle played at last year’s Listen to the voice of Fire as part of Electroscope, and I couldn’t wait to have her back-prodigious and inspiring, slightly odd name Pefkin but come and check out this mesmerising psychedelia.
Here’s one that is a bit obscure, another find from Ed Wright’s Oscilloscope. David Hopewell improvised/performed a couple of what I thought were standout pieces, and promises to perform these again. It is understated, but this was and promises to be a finely sculpted expansive sonic landscape. Here is what he says “Two pieces featuring field recordings and live sound production using field coils capturing electromagnetic signals ‘captured from the aether'”. With the loops of experimental film that Dr Greg Bevan has curated projected o’er him this is sure to be one to watch and soak-up.