Latest Event Updates

Coming Soon…Thursday 1st November 8pm

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Just a quick note, I have closed the Call for performers as it looks now that we are chock-full for November. Line-up to be announced soon. Ahh it will be good. Really exciting line-up with deviations from anything that I ever imagined but should be super.

I am currently planning what will happen in March 15th 2019. So expect news on that before September.

I think that I will be sticking to the March-July-November sequence so, let me know…

Cofion gorau

 

Dafydd

 

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Mike McInnerney

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Performing along with Duncan Chapman on 12th July 2018.

Mike McInerney plays shakuhachi and piano. Has studied mathematics and music at the University of York and has a Ph. D from Dartington College of Arts. He works with interactive technology, computer-generated sounds and live processing to create new music for Japanese shakuhachi flute, and other instruments. Mike has studied with the composer Frank Denyer, the shakuhachi player Yoshikazu Iwamoto, the pianist Jo Peach M. Phil. B. Mus LRAM, and the enlightened Zen calligraphy master, Tanchu Terayama.

 

 

 

 

Richard Craig

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Hailing from Clydebank, Scotland, Richard Craig has come to establish himself as one of the leading performers of new music. He has performed alongside ensembles such as MusikFabrik Köln, Klangforum Wien, and as a soloist he has been the dedicatee of many works for flute. As a composer/improviser he has been involved in an ongoing project with feedback called AMP/AL. His discography includes two monographs (INWARD and VALE both released on the métier label), and he has performed in numerous radio broadcasts for the BBC, WDR Köln, YLE Finland, Radio France, Radio Nacional de España, Swedish Radio, ARTE and Icelandic RUV. His own music is available on bandcamp.

From 2009-11 he was a Visiting Fellow in Performance at Aberdeen University, and since 2014, an Honorary Research Fellow at the University of Huddersfield. In 2015 Richard was appointed Head of Performance at Bangor University.
A recent performance, to whet your appetite:

 

 

The Sound Projector

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Very interesting review from the mighty Ed Pinsent of the last Listen to the Voice of Fire. See here:  http://www.thesoundprojector.com/2018/03/17/heat-light-and-fire/

Insightful comments regarding the split of noisy to introspective in the program as well as the reckoning of the (over) long AV piece, spell  binding but whatever happened to agreed fifteen minutes, some imbalance perhaps.

Ed came all the way up to back of beyond Aberystwyth, well as did many of you, and suffered the regular as clockwork hitches on Arriva Trains Wales.  But, what a pleasant fellow and we all enjoyed the Light of Asia on the night before. Great company and surprisingly tasty food.

Ahh, let’s do it all again…

 

Toshimaru Nakamura

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Toshi Nakamura is probably one of the most important electronic composers of the 21st century. His instrument is the no-input mixing board, which describes a way of using a standard mixing board as an electronic music instrument, producing sound without any external audio input. The use of the mixing board in this manner is not only innovative in that the sounds it can create but, more importantly, in the approach this method of working with the mixer demands. The unpredictability of the instrument requires an attitude of obedience and resignation to the system and the sounds it produces, bringing a high level of indeterminacy and surprise to the music. Nakamura pioneered this approach to the use of the mixing board in the mid-1990’s and has since then appeared on over one hundred audio publications, including nine solo CD’s.
He has performed throughout Europe, North America, Argentina, New Zealand, Australia, Korea, China, Singapore and Malaysia, performing and recording both as a soloist and in collaboration with numerous other musicians.
As an active organizer of concerts in Tokyo, Nakamura has helped many musicians coming to Japan find places to perform, both with himself and with others. From 1998 to 2003 Nakamura and Tetuzi Akiyama ran the concert series Improvisation Series at Bar Aoyama and then later the Meeting at Off Site series of concerts. Both these concert series were crucially important in exposing a new manner to improvised music (referred to as Electro Acoustic Improvisation) to the Japanese public and to foreign musicians visiting Japan, making Tokyo one of the global hotspots for this new approach to music.
 
This is a rare opportunity to listen to an exciting blend of leading experimental musicians from Japan, Berlin and Wales. Also  playing:  Arai Tatsuru, Rhodri Davies, Jenn Kirby, Dafydd Roberts & Andrew Leslie Hooker.

Rhodri Davies

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Rhodri Davies was born in 1971 and lives in Swansea, South Wales. He plays harp, electric harp, live-electronics and builds wind, water, ice, dry ice and fire harp installations. He has released four solo albums: Trem, Over Shadows, Wound Response and An Air Swept Clean of All Distance. His regular groups include: HEN OGLEDD, Cranc, a duo with John Butcher, The Sealed Knot, Common Objects and a trio with John Tilbury and Michael Duch. He has worked with the following artists: David Sylvian, Jenny Hval, Derek Bailey, Mark Fell, Kahimi Karie, Laura Cannell, Lina Lapelyte, Sachiko M, Bill Orcutt, Jim O’Rourke, Christian Marclay and David Toop.
 
In 2008 he collaborated with the visual artist Gustav Metzger on ‘Self-cancellation’, a large-scale audio-visual collaboration in London and Glasgow. New pieces for solo harp have been composed for him by: Eliane Radigue, Philip Corner, Phill Niblock, Ben Patterson, Christian Wolff, Alison Knowles, Mieko Shiomi and Yasunao Tone. In 2012 he was the recipient of the Foundation for Contemporary Arts, Grants to Artists Award, since 2016 he is a Chapter Associate Artist and in 2017 he received a Creative Wales Award.
 

Angharad Davies

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Angharad Davies is a violinist, one at ease in both improvising and composition, with a wide discography as part of varied range of ensembles and groups. She’s a specialist in the art of ‘preparing’ her violin, adding objects or materials to it to extend its sound making properties. Her sensitivity to the sonic possibilities of musical situations and attentiveness to their shape and direction make her one of contemporary music’s most fascinating figures. She has performed at the Queen Elizabeth Hall, Tate Modern, the Proms, Music We’d Like to Hear new music series, Huddersfield Contemporary Music Festival, El Nicho festival in Mexico where she premiered Eliane Radigue’s Occam XXI for solo violin.

She is an associate artist at Cafe Oto, is a member of Cranc, Common Objects and Apartment House, been artist in residence at Q-02, and played live with Tony Conrad in the Turbine Room at the Tate Modern. Other collaborations have featured the likes of John Butcher, Steve Beresford, Laura Cannell, Daniela Cascella, Anat Ben David, Rhodri Davies, Matt Davis, Richard Dawson, Julia Eckhardt, Kazuko Hohki, Roberta Jean, Lina Lapelyte, Dominic Lash, Tisha Mukarji, Andrea Neumann, Rie Nakajima, Anie O’Dwyer, Okkuyng Lee, Tim Parkinson, J.G.Thirlwell, Silvia Tarozzi, Stefan Thut, Deborah Walker, Paul Whitty, Manfred Werder, Birgit Ulher, Taku Unami and she’s released records on Absinth Records, Another Timbre, Potlatch and Confrontrecords.
Angharad Davies recent work included as Radio 3 Late Junction album of the year: http://www.bbc.co.uk/programmes/articles/1kKy56yZYw6dcwtlx2hbBJy/the-late-junction-albums-of-2016